Leitmotif
From a page on film music techniques:
“[...] the method used by the director Louis Malle for his 1957 film, “Ascenseur pour l’echfaud” when he recorded a jazz quintet to improvising music as they watched the film in the studio.”
That’s neat. Let us imagine improvisation as an expression of human creativity, spontaneity, and all the games of language.
Is it possible to develop the skills of communication to a greater extent than what is commonly understood to be the highest, the contemporary learned man? What is the “highest” form of communication? Given that the capacity for language acquisition is great in humans, and that the acquisition of frame semantics and lexicon of non-verbal language is often competive with many other experiences necessary for development but not necessarily precursors to non-verbal language (relationships, obligations, sensation, etc.), then there is a theoretical advantage for humans 1) having all necessities resolved to the highest magnitude of temporal and somatic efficiency, 2) assimilating these means of expression in environments geared towards non-verbal communication (such as for individuals who make a living by playing music or acting) and 3) possessing specific verbose metaphoricalism disease (SVMD). By recognizing this, we can inspire a future that will foster the development of non-verbal improvisational expressivism.
